Posts Tagged: sound design


11
Dec 09

Henninger Media Services Brings High Definition to the Kennedy Center Honors

Henninger Media Services (“Henninger”), Washington, D.C.’s premier production and post-production company, recently completed its annual post production work on the Kennedy Center Honors.  This marks the 25th consecutive year that Henninger has been involved with this prestigious event, providing editing, audio, and color correction services for the biographical films shown at the gala on December 6, 2009.  The two-hour event will air on CBS at 9:00 p.m. on Tuesday, December 29, 2009.  This will be the first year that the show is produced and broadcast in high definition.  Last year’s broadcast of the show won an Emmy for “Outstanding Variety, Music or Comedy Special.”

The five distinguished recipients honored at the 32nd annual celebration of the arts were Mel Brooks, Dave Brubeck, Grace Bumbry, Robert De Niro and Bruce Springsteen.  They were recognized for their lifetime contributions to American culture through the performing arts.

The Henninger staff looks forward to this project every year, which usually commences around Labor Day when members of the Kennedy Center Honors Productions staff move into Henninger’s Arlington facility.  Over the next three months, the respective staffs work closely with each other every step of the way.  Kennedy Center relies on Henninger for technical and creative expertise, including high definition editing and color correction; audio mix and mastering services; engineering and project management; and possible Blu-ray finishing.

Per Sam Crawford, Henninger’s Director of Engineering, “the significant difference in the post production and final mastering of this year’s show is that we had the added challenge of accommodating both 16×9 high definition and 4×3 standard definition images for the honoree’s biographical films.”  To help overcome this obstacle, Henninger created custom “graticules”—lines to superimpose on the screen during the offline editing process, to show the editors what would be seen by both high definition and standard definition viewers.

The key members of both staffs always do a projection test at the Kennedy Center two nights before the big event, with a primary focus on the audio levels.  The hardest challenge is met by Henninger’s Senior Mixer, David Hurley, who helps ensure that what the production team heard in Henninger’s audio suite transfers seamlessly to the amphitheater type of environment at the Kennedy Center’s Opera House.  The Henninger staff takes notes and makes necessary changes that night or the next morning.  Jef Huey, Henninger’s Senior Editor on the project, characterized the overall process as “a lot of fun, due to the films’ unique complexities.  In the end, we are always confident that we’ll end up with an outstanding final product due to the collaboration of such experienced personnel at both organizations!”


1
Dec 09

Henninger Media Services wins 9 TIVA Peer Awards

The 13th Annual TIVA Peer Awards were presented to television and video’s best at the National Press Club in Washington, D.C. last week.  Henninger Media Services (“Henninger”) capped off a successful year for its creative team, honored with a noteworthy nine awards!

Henninger’s in-house production department, Henninger Productions, won multiple awards for its turnkey script-to-screen projects, including the following:

  • Gold for A Restless Giant – The Ever Changing Nature of Mount Rainier in the “Documentary (Under 30 Minutes)” category.  Henninger produced this stunning documentary over the course of two years at Mount Rainier for the National Park Service.
  • Gold for The Great Escape: The Final Secrets in the “Documentary (Over 30 Minutes)” category.  This revealing World War II documentary was produced and fully finished by Henninger for the National Geographic Channel.
  • Gold for Will Allen in the “Internet Only: Public Relations/Marketing” category, a poignant bio video produced by for Lipman Hearne and the MacArthur Foundation.
  • Silver for Land Systems Overview in the “Public Relations/Marketing ($50,000 and Over)” category.  This action-packed promotional piece was produced by the Henninger team for General Dynamics.

Accepting the awards on behalf of Henninger Productions was their Production Manager, Sue O’Hora.  Several other members of Henninger’s experienced and talented staff were in attendance as well, accepting numerous awards for their standout work for the company’s post production business:

  • Audio / Sound Design – Rob Fritts, Kenneth Gilbert, and Phelps Kelley won Gold for their sound design of National Geographic’s Orca Killing School.  This was a sound design packed documentary on killer whales.  Their combined efforts to complete this show made for a phenomenal audio experience.
  • Color Correction – Ted Snavely won Silver for Suicide Prevention.  SAIC produced this informative yet visually captivating piece for the United States Marine Corps.  Dave Markun won a Bronze for The Lion and the Mouse, a documentary produced by Afflare Films.  Both colorists worked on Henninger’s prestigious DaVinci 2K systems.
  • Editing – Kevin McCarthy won Bronze for Busting Boredom, a piece for Animal Planet shown in zoo kiosks nationwide.  This award was achieved in the “Editing: Non-Fiction (Under 30 Minutes)” category.
  • Graphics – Jamie Cave and Laurie Rihner won Silver for Lifestyle, an animated Internet spot created for SRCP Media.  They won this award in the “Internet Only: Graphics/Animation” category.

Henninger Media Services is extremely pleased and proud to be involved with TIVA and to win these prestigious awards chosen by our peers.


4
Nov 09

Henninger helps another documentary: “Becoming Human: Unearthing Our Earliest Ancestors”

The first part of “Becoming Human: Unearthing Our Earliest Ancestors” aired November 3rd on PBS . This will be a 3-part series produced by Shinning Red Productions.

The production examines questions such as: “Where did we come from? What makes us human? An explosion of recent discoveries sheds light on these questions, and NOVA’s comprehensive, three-part special, Becoming Human, examines what the latest scientific research reveals about our hominid relatives”.  More information can be found online at: (http://www.pbs.org/wgbh/nova). Henninger Media Services helped with the Sound Design, Audio Mix, and Color Correction for this production.


28
Oct 09

Henninger Sound Design

Henninger Sound Design

Listen carefully to the audio track of any professionally produced material, such as a feature film or episodic television drama. Turn off the picture and put on headphones if you have to. You’ll probably hear a lot of things that couldn’t have possibly been choreographed so accurately and convincingly on the set. Reinforcements or enhancements to the visual experience come from music hits matching the action or subtle noises that evoke a specific environment, emotion or danger. The mood of the imagery is often set by the audio. Change the audio and the picture means something completely different.

This powerful post production tool is called Sound Design.

At Henninger, we receive edited programs that mostly contain live sound recorded with the images along with expanses (meaning more than a few seconds) of unsupported visuals or unwanted sounds. Leaving these gaps in the audio are usually deadly to the production value. Clients who understand the impact of sound design will ask us to craft an audio track to clearly define their imagery.

How do we do Sound Design?

Our job as sound designers is to insert missing audio elements using our large sound effects and music library as well as narration, extra voices and composed original music. If the sound designer can’t find an appropriate audio element, they are likely to create one using our foley room. Some of the work is architectural, where the placement of voiceover or music is planned. Some is also sculptural, where the sound designer creates packages of carefully placed and convincing audio gestures throughout a program. All of these elements are assembled and timed against the images to create a complete, flowing aural track indispensable to the support of the images.

Our award winning team has consistently demonstrated the ability to change beautiful visual sequences into spectacular visual sequences with the addition of appropriate audio enhancements. Sound design can even have surprising spillover effects, raising otherwise unremarkable visual material to higher levels of interest just by adding the right sounds.

The Sound Design Process:

The process begins by examining your program material. The editing doesn’t need to be completely finished to start getting an idea of what ingredients are needed to design an audio track. A head start or sneak peek at the nearly finished program may allow a quicker turnaround. Our sound designers will begin assembling a customized list of supporting audio which we might draw from our own library, parts of your original field audio or something we may manufacture ourselves.

Also generally needed are music elements and voiceover material. Edited programming we receive often contains “scratch” music and narration tracks recorded by the producer in the edit suite with a “Mr. Microphone”. Sound designers will replace those elements with professionally produced material, maintaining the positioning of the original hint.

Once the editing is finalized, all material is laid out on a timeline. Working with dozens of audio tracks, the actual audio is “checker boarded” Checkerboard Audio with careful positioning against the visuals. Sometimes, thousands of audio elements will be laid up for the eventual mixing process.

Only then will the audio be ready for mixing. The strength of each element is balanced and placed into the sound field in the mix room. You can choose what kind of audio you need – anything from mono to full 5.1 or 7.1 surround. There’s nothing like sitting in the mix room and listening to the sound design come to life, bringing out the power hidden within your imagery.

The most experienced producers long ago discovered the necessity of great sound to support their production. Storytelling with images is only part of the puzzle. The audio makes it all stick together. Henninger understands how to deliver superb audio to the most demanding ears. Let us arrange a demonstration of our capabilities and we’ll show you some of our award winning sound designs.


28
Oct 09

Phelps Kelley – Sound Design & Audio Mix


28
Oct 09

Brian Callahan’s Audio Mix / Sound Design Demo Reel


11
May 09

Henninger DC Goes Hollywood!

Henninger DC Goes Hollywood!

Henninger DC is often called upon by Hollywood for its Automated Dialogue Replacement services (ADR).  Recently, Hollywood called again; this time, it was for the newly released political thriller, State of Play.

The film stars Russell Crowe and Ben Affleck, and contains a scene shot at local DC landmark, Ben’s Chili Bowl.  Daytime manager, Maurice Harcum came into Henninger DC to re-record his lines opposite Russell Crowe.

Kenneth Gilbert, the sound designer/mixer on the project explains how looping in DC can be sent straight to Hollywood.

“We’re able to bring the director and talent together by locking ISDN lines with the Hollywood studio.  I control video playback and record audio in Pro Tools while sending audio and timecode to sync with the film studio.  The director sees and hears everything as though they are in the room with us.  This allows for quick turnaround without actor or director traveling cross-country.”  Some of his more notable sessions include work for ABC’s, LOST, The Godfather video game, Robert Duvall recordings for 4 Christmases, and the soon-to-be released, Tribes of October.

The independent film community recently called upon Henninger DC’s creative direction and talents as well.  Editor/Graphic Designer, Dan Egan worked with the creators of the newly released indy film, Jazz in the Diamond District.  Egan animated the film company’s logo for the opening sequence of the movie, created a new credit bed for the film, and designed the DVD/Website layout and menu.
“It’s very rewarding to work with local film-makers. It’s like rooting for your home team in sports.” Egan remarks.  The film opened in DC at E Street Cinema, and travels to New York, Atlanta and Chicago later this month.